5 Creators who fixed bad comics

t’s a simple fact of life, not all comics are created equal. Of course a bad initial run doesn’t doom a series neither does a bad subsequent run. There are many examples of writers taking a good series and destroying it but we’re here today to celebrate when creators do the exact opposite, those who shine a turd only for it to turn out to be coal which they turn into a diamond.

Deadpool

Joe Kelly is the true creator of Deadpool. Yes Rob Liefeld designed the character and Fabian Niceza wrote his earliest stories but Kelly created the Deadpool you recognise. Deadpool was originally a villain for the New Mutants to fight shortly before rebranding themselves in a paramilitary group led by Cable called X-Force. Wade Wilson was an uninspired tribute to DC’s Deathstroke (real name Slade Wilson), and that was it, he made a couple of wisecracks and he had a design meant to be “kewl” but thats all he was, a design. 

Joe Kelly enters with Deadpool’s first ongoing series and within the first few pages the Deadpool we know and love was born. Monologuing in the bushes to himself and getting mad that somebody heard him. This is what people like about Deadpool and this trait can be pin-pointed to that exact moment.   

Gen 13

Gen 13 is trash it really is, I’m ashamed to have so many of their back issues in my longbox. I used to in my teen years think that the self awareness to it basically being a T&A comic was ok. The self awareness usually took the form of Fairchild comment “Why does this keep happening to me” when her shirt gets ripped. 

DC in 2006 relaunched all the Wildstorm series, and knowing it wasn’t the 90’s an age where this low-art would flourish they had Gail Simone take over the book and her 13 issue run are the only issues of Gen 13 I will publicly defend. Under Simone the ritualistic disrobing of the characters ended and they were characters now. This run was more nuanced with a storyline about the fetishisation of adolescents and the demonisation of the same group. It also has one of my favourite lesser known villains in Dr Cross, a scientist with a massive infantilisation fetish and severe germaphobia.  

X-men

This is probably the best known example of a writer doing this (and I haven’t featured every time a writer fixed a series). I mostly included this one to have a nicer balance of Marvel and DC because anyone who knows about Superhero comics knows Stan Lee and Jack Kirby’s worst work together was on the X-men. Even a change of creative teams to Roy Thomas and Neal Adams didn’t fix the X-men. Len Wein and Dave Cockrun fixed the X-men by changing almost the entire cast. A baffling trend in the history of X-men is writers wanting to reunite the least loved line up. 

Wein didn’t realise what he had done but Claremont had and Claremont stuck with the series for decades. Claremont actually begged Wein to let him take over the book because he loved the characters to which Wein replied “sure the books doomed anyway”. But under Claremont the X-men went on to be Marvel’s best selling team but why is it that only once have Marvel tried reuniting; Storm, Wolverine, Nightcrawler, Colossus, Shadowcat and Cyclops when they’re the best selling team.

Green Lantern

All hail Geoff Johns king of retcons. I could leave it there but Geoff Johns almost entirely rewrote Green Lantern lore all because he didn’t like Kyle Reiner. in fact does anyone like Kyle Reiner? 

Changes Johns introduced; Green Lantern rings can’t do anything, Arisa was not a child who aged herself up to be with Hal. She was from a planet where you reached adulthood by the time you where 5. Hal wasn’t a serial killer he was possessed by a demonic entity that would also be the cause of the yellow weakness (killing all the jokes about Green Lantern losing to bananas or canaries) and most importantly Hal is a jerk. Before Hal had been a jerk but now the series was aware that he was one and better yet Hal worked on being a better person. 

Teenage Mutant Ninja Turtles

IDW fixed the TMNT comics. The original series of comics has its earliest stories by it creators (Kevin Eastman and Peter Laird) and then ends up being inconsistent due to constant changing creative teams, so inconsistent which Turtle has which weapon changes story to story and with the book being in black and white you can’t go by bandana colour. After this we have the Image comics era of TMNT which could only have come out during the 90’s with the Turtles as cyborgs now (because another word would fit so nicely into the name). After the cancellation of the Image the series Eastman and Laird parted ways with Laird being sole owner of the Turtles and he was overly protective of them. The Turtles stories from his pre IDW era are safe, they’re not bad but they’re safe. Laird’s never liked the original cartoon series so almost any element unique to that series was not allowed to be referenced. But post Laird both the TMNT comics and cartoon could meld anything from the cartoons or comics together, IDW’s version is an eclectic mix of all things Ninja Turtles and with a consistent creative team its easier to follow and more enjoyable than any other Turtles comic.

The philosophy of Legion (according to K Ben on Comics)

I have nothing but respect for Wisecrack, in fact I would even site them as an influence on my style of blogging (other video essayists I would honour in the way being Nerdsync and Lindsay Ellis). But they recently published a video on the TV show Legion looking for the core philosophy of the series, and I think they missed this so I thought I would write a piece all about what I believe the shows message was.

So what is the Philosophy of FX’s Legion; that hatred and cruelty create more hatred and cruelty so be kind. Which I think is suspiciously like the philosophy of The X-men, funny that it’s almost like they’re connected. 

SPOILERS AHEAD!!! Why did you open this if you haven’t watched the show?

Legion is the story of David Haller, recovery drug-addict, misdiagnosed paranoid schizophrenic and unreliable narrator. When the series opens David is in an asylum being tortured by Lenny and crushing on Syd, both of whom at this point may or may not exist as David is the only person in the asylum who they talk to. By the second episode of the series David has been recruited into a para-military mutant team with Syd (now confirmed to be a real woman), and as the first season wraps up we find out than Lenny is actually the Shadow-king a powerful mutant wanting revenge on David’s father (at this point implied but not confirmed to be Professor Charles Xavier) for defeating him in psychic combat when David was still a baby. Over the first two seasons David grows to be a better person and even by the end of the second season he has defeated the Shadow-king in an astral duel choreographed to Behind Blue Eyes by The Who, and at the moment David is winning in the duel is the verse that includes “If I swallow anything evil” and “If I shiver give me a blanket” both of which being admissions of wanting help. The second series wasn’t all happy sailing for David as a future version of Syd told of how he would bring about the apocalypse, this sowing seeds of distrust towards David which lead them to believe without question that he raped Syd, ignoring completely that the Shadow-king an immensely powerful and manipulative telepath capable to creating illusions could’ve faked this to get revenge.

At the beginning of the 3rd season, the Not X-men have teamed up with the Shadow-King to stop David who has started a cult full of lost hippies that get high of the bottled love pheromone he produces with his mind. The Not X-men then try to stop David and he has them all join him in a version of What’s so Funny about Peace, Love and Understanding by Elvis Costello (this is of course somewhat hypocritical of David as from being hounded by the “Heroes” he vaporised all of his cult and his ex-girlfriend). The remaining episodes are mostly about David trying to travel back in time to prevent his life going wrong, which we know could be successful or fail miserable as Episode 14 which was part of Season 2 also showed alternate version of David one of which he was a business man who used his telepathy to get ahead and another timeline he was a homeless drug addict. 

After being vaporised Syd’s mind is now found on the Astral Plane (a world that exists purely as thought and metaphor) but now as a baby and is given a second childhood raised by two other lost minds acting as her parents. They also take in another lost girl who gets seduced away from their fairy tale lifestyle by the Big Bad wolf, a psychic entity who can be best described as an edge-lord. The kind of guy who makes an unfunny racist joke and thinks it’s the best joke ever because it will offend “libtards”. He is of course defeated in a Rap Battle by her adopted father who defeats him with a verse about how “puppies aren’t afraid of me” and “he gets more hugs than hate mail” with the finishing blow of “I sleep well at night knowing people love me, can you say that”. 

The final episodes of Legion have David in the past, on the days when his father met Amahl Farouk (better known as the Shadow King) and trying to ensure his father defeats him in a way that won’t allow him to escape. Of course the Not X-men and present time Amahl Farouk make it to this time as well. Syd and another member of their team protect Baby David and his mother, because during her time in the Astral Plane Syd has realised that Baby David is innocent. Whilst still believing current David might be a lost cause but that baby has done nothing wrong, his future isn’t determined. The Telepaths duel, David and Past Amahl Farouk duel with all their powers, but Charles and Future Farouk sit down and talk. Charles and Future Amahl reach an agreement, so David’s life will not be destroyed. The Shadow King shows his past self psychically his future and he realises not even he should be that cruel. David and his mother sings Mother by Pink Floyd but with it recontextualised. To be about how she will protect her son rather than how she will stifle him with paranoia. 

We end with the versions of Syd and David that we knew ceasing to exist and being erased so that new better ones can take their place, a rebirth and this time for David without somebody trying to make him miserable.

Of course Legion could also just be a story, to quote the first season “there are two sorts of stories, those created to keep us safe… and those created to teach empathy” but even with what it says about the nature of stories, empathy is a form of kindness.

But even if I’m wrong about Noah Hawley’s series, I got a positive message from the show and loved the story he told so I’m better off being wrong on this one.

Fixing the Stan Lee Girls

Fixing the Stan Lee Girls

Comics from the 1960’s weren’t enlightened on their portrayal of women. It’s just a fact, no two ways about it. Sure it was a genre aimed at young boys written and drawn almost exclusively by men, but under a modern lens the early Marvel comics don’t hold up very well in this regard. To quote Professor Marsden when asked to weaken Wonder Woman (his creation) “How are young boys to grow up to respect women if we don’t show them examples of strong women”. Now the Stan Lee girl is a variant on how women (who weren’t Wonder Woman) where written in this era. The Stan Lee girl is young glamorous and has all the personality of day old dish water but is also very important to the male protagonist(s) of the Superhero book. Not all characters that fit this mould are Stan Lee creations, like Saturn Girl from the Legion of Superheroes or Elasti-Girl from the Doom Patrol, but Stan and his tendency to put his name on every book produced by Marvel (even if he had nothing to do with it) makes him synonymous with the trope.

Now that’s explained why not continue reading this as I explain how 4 of Stan’s creations became well actual characters not just “oh gosh isn’t she pretty”. I will not explore every female character that has a Stan Lee creator credit or I’d be writing a 200 part piece on the subject and Black Widow has been omitted because she wasn’t actually created by Stan and in no way fits the profile being first introduced as Iron Man’s Archenemy and not his love interest.

Sue Storm

The first woman of Marvel Comics (assuming the Fantastic Four haven’t lost their status as the First Family) and master of running away. Sue in the early comics is really good at getting kidnapped, especially by Doctor Doom or Namor. She brings antagonists to the Fantastic Four, while Doctor Doom uses her as bait for the other 3 members of the team out of convenience, Namor is to be the other rival to her husband Reed Richards. Prince Namor tries to lure her to be his queen, always unsuccessfully, because for her to be actually tempted to turn evil would imply some form of personality. Susan is actually so notoriously useless that in a weird Meta issue (Fantastic Four 11) the F4 read letters sent to them by “Fans” and Sue bursts into tears because all the letters get call her useless. This of course outrages Mr Fantastic who invokes the name of Abraham Lincoln to defend his future wife. 

Fantastic Four 22 is when the attempts to make Sue better started, before this issue Sue could only turn invisible and hide, this issue gave her the comics code classic Telekinesis. Telekinesis is one of the girliest superpowers in comics (not that it’s effeminate but it’s mostly held by female characters) because it can easily adhere to Comics Code Authority guidelines about violence between men and women. The female hero using Telekinesis can fight back without actually hitting the super villain or henchman and with this at least Sue could fight back and didn’t need her sign saying “kidnap me” as much anymore, although Dr Doom might still do that because “expediency often outweighs originality”. 

Sue’s next biggest developments were marriage and motherhood. Side note it’s officially canon that their son Franklin was conceived after the first time the F4 saved the earth from Galactus which makes me ask the question after the earth was safe did Mr Fantastic give The Thing and The Human Torch some of their pocket money to go the cinema. But the change from teams eye-candy and damsel in distress to motherhood really suited Sue as she pretty much filled that role in the team anyway. The Fantastic Four are a squabbling family who often fall out and Sue is the under appreciated peace-keeper and emotional support for the boys. With Franklin added well she just has another child to look after but this one shouldn’t know better than to be an immature show-boater, I’m looking at you Johnny Storm. 

Sue’s last real moment of characters development comes from Fantastic Four 280, where the villainous Psycho-man (kind of an obvious villain name), turns Sue into Malice; Mistress of Hate. Now with a name like that she’s obviously an enemy to the rest of the Fantastic Four who she proceeds to beat the snot out of (once and for all proving she is actually the strongest member) which to many fanboys is the most important thing. But this has to end abruptly by Mr Fantastic realising its Sue and declaring “Susan stop acting hystericaly” which somehow (plot contrivance) snaps her back into her old self.

The Wasp (Janet Van Dine)

Unlike most female characters from silver-age Marvel, Jan started with some semblance of a personality. She was the plucky rich girl who was Hank Pym’s fan-girl and really wanted to join him on his scientific adventures. Jan seemingly relegated to the sidekick role by the virtue of being a female character even if Ant-man was dependent on her because she paid for all of his scientific equipment. But I’m ignoring the elephant in the room, their relationship is just the fucking worst. Panel to panel all these 2 do as a couple is squabble, Stan Lee once while tried to decipher why Ant-man was never a colossal hit like The Hulk or Spider-man. Now I’m going to go out on a limb and say young boys reading their superhero comics for a little escapism from their parents arguing don’t want to read about the male hero in the comic declare “Get in the kitchen” and his girlfriend/sidekick say “no I bought the kitchen you go in it”.

The lack of popularity lead to the cancellation of all Ant-man books and the duo became stalwarts of The Avengers where they kept trying to rebrand Ant-man because “he has a silly name” so he took on names like Black Goliath (despite being neither African American or wearing Black) Giant-man and finally after a mental breakdown Yellowjacket. Dr Pym became the joke of the team and his team mates often made fun of his mental instability and the fact that Jan was better at superheroing than him. In a last ditch effort to stay on the worst Superhero team of all time (1970’s Avengers are just terrible) Dr Pym created a fake Ultron attack that would prove his worth. This is when the infamous slap panel comes from (the slap is actually an artistic flub and was intended that he pushed her out of the way). After this incident Hank and Jan divorced (despite the fact they never should’ve gotten married in the first place), and also Jan became the leader of the Avengers and while she occasionally stumbled with her confidence she lead the team admirably even if she did keep changing costume every other issue because she was a “fashionista”.  

Scarlet Witch

First appearing in the Brotherhood of Evil Mutants, Wanda was manipulated by Magneto’s magnetic personality (not a joke actual reason), into joining his terrorist organisation. This is a strange trend that still exists with female villains, Marvel did it with Medusa when she had amnesia and joined the Frightful Four and DC currently have the Cheetah (Wonder Woman’s Archenemy) being manipulated into crimes by Lex Luthor. Comic writers have this strange idea that women can’t be mastermind villains, they have to be arm candy to the big bad, female villains are still rare even when they’re not arm candy, Batman’s Poison Ivy is often portrayed as more of an Anti-hero than a true terrorist or Catwoman as a criminal with a heart of gold. 

Scarlet Witch and her brother Pietro (aka Quicksilver) where rescued from their life of crime by Captain America who had them enter his new team (the second ever line up of Avengers) nicknamed Cap’s Crazy Quartet with the fourth member being former Iron Man villain Hawkeye. As time went on Wanda stopped spending so much time telling her brother “the whole world doesn’t hate you” despite the fact he is a complete and total jerk. Avengers and the few X-men comics she appeared in focused more on her bizarre back story and this is truly a sign of gender equality because most of the male Superhero characters don’t have much in the way of personality traits but they have extensive adventures.

Wanda’s history includes being raised by a mutated Cow named Bova (with her brother), previously mentioned manipulations by Magneto, training under Agatha Harkness in witchcraft, marrying a robot, being unable to have children with a robot, magicking up her own babies (that turned out to be demons), blowing up Avenger’s mansion, rewriting all of reality, travelling back in time and being persecuted for witchcraft, getting engaged to Doctor Doom and a search to find out who her father is. With all that, it’s not surprising that she hasn’t developed a personality, with that much back story you try having some hobbies.

Gwen Stacy

How did modern Marvel fix Gwen Stacy? They created a whole new character of course. Gwen’s initial storyline was a love triangle with Peter Parker (secretly Spider-man) and Mary Jane. Mary Jane was the more fun of the two girls, she was a party girl, she was the hip cool one who talked in Jazz lingo while being completely oblivious to the fact her name was a slang term for Cannabis (but what do you expect this was a funhouse mirror look at youth culture written by a middle-aged man to an audience of 13 year olds). Gwen was a more quiet studious girl whose ideal evening was curled up on the sofa with a good book and drinking hot coco. Marvel’s writers wanted to end the love triangle but they couldn’t have the notoriously indecisive Peter pick between one of them, so the next logical choice was made to have her be dropped off a bridge by the Green Goblin.

Gwen was now treated as a what if to Marvel writers, whenever Peter was too down on his luck or fighting with Mary Jane something might happen to bring Gwen back. Most notably her Biology teacher cloning her in an attempt to get revenge on Spider-man (yes it is as confusing as it sounds).

In the 21st Gwen was made cool, the drummer in an all girl punk rock band, with a cool new costume. The Spider-Gwen comics actually make you realise something about Spider-man comics which is we only care about Peter Parker because he is Spider-man.

Disney/Marvel's Children of the Atom

Ok after the Atomic Box Office Bomb that was Dark Phoenix, Marvel has stated they’re in “no rush to reboot the X-men”, but that doesn’t mean I can’t post my notes and ideas for the reboot online, it also means it has longer to reach Kevin Fiege who MUST implement them all. So here we go my list of ideas of what the new X-men must do different to the original film series owned by Fox.

New Creative team.

This may seem obvious (thats because it is) but don’t hire, Bryan Singer or Simon Kinberg to oversee the whole new Disney Marvel X-men. They’ve had their turn and they fucked it up. Now I’m not saying I’m the man to do it, I have literary zero film industry experience (despite the sheer arrogance to post about films almost as much as comics on this blog) unless we’re accepting a writing a couple of skits for youtube as film experience. I could get behind James Mangold (Logan’s Director) or Noah Hawley (Legion and rumoured to be working on a project involving Dr Doom) it should be somebody fresh.

Don’t make Wolverine the main character.

Yes we all love Wolverine, and casting rumours are flying everywhere suggesting Keaunu Reeves, Jason Mamoa or Taron Eggerton being in the role. But Wolverine was the main character of the last incarnation, and yes he is the most popular X-man ever. 

But that in itself is problematic, Wolverine is a mysterious angry loner, that was how he was introduced as the scary guy in the corner (well he was actually introduced getting his ass-kicked by the Incredible Hulk). That’s his appeal, more screen time and the more we peal back and often you don’t want to actually know the real answer, that’s part of why X-men Origin’s didn’t work, the origins Mini-Series in the comics isn’t universally accepted (I only begrudgingly accept as works by Jason Aaron mention his brother Dog Logan). I would also be remised to not mention I know exactly who should play Wolverine, Henry Rollins. Rollins has everything you need to be Wolverine he’s short and angry, and don’t forget Wolverine was never a teen character, even when X-men Evolution put all the X-men in High School, Wolverine was still a middle-aged man who had to take orders from Cyclops.

So if not Wolverine who do you make the main character, well X-men is littered with point of view characters; Jubilee, Kitty Pryde, Iceman, Barnell Bohusk the list goes on… almost anyone who was a later recruit was the audience point of view as they had to have everything about the Xavier institute explained to them. The first X-men movie almost did this with Rogue, but seemed to after act one get cold feet or Bryan Singer wanted to focus more on Wolverine and Cyclops being petty little children arguing over Jean.

Have Jean be already dead.

Yes longtime readers will be familiar with my feelings towards Jean Grey, but if you’re not here the cliff notes. The most interesting thing Jean Grey ever did was die and the worst thing she did was come back. 

But with Jean’s death came character development, theres tension in the air for our new recruit, something is bumming out the team and nobody will say what it is, why do Scott and Logan hate each other. The X-men are in splinters racked with guilt and need to learn to trust each other again and that’s your character arc for the team, how do you move on from loss and thats very MCU.

Use more than one villain.

The best way to open this movie is with action, yep I said it, it worked for Indiana Jones it’ll work here. It also worked in the MCU for Winter Soldier.

The only problem is who do you use to open the movie? Well I have a couple of thoughts, first Arcade, a lesser known X-men villain who is basically Jigsaw from the Saw Franchise minus the Edge-lord philosophy bullshit and just murders people with Killer clowns because he can. Arcade lacks depths but his visual style is far removed from the “Realistic look” of the previous X-men movies and more in line with James Gunn’s Guardians of the Galaxy.

Second thought is Krakoa, a mutated land mass that is responsible for the formation of the second X-men line up, and this would be a good in joke and would also show a major change from the previous as mutated land masses were too out there for Singer (who didn’t even like characters flying). 

As for your main Villain… I actually have no idea somebody whose a threat to the X-men (so not Apocalypse as he’s just full of hot air)

Embrace the weird.

Seriously the X-men where originally labelled as The Strangest Heroes, don’t take that away from them now the Guardians of the Galaxy are mainstream with their talking cyborg Racoon. 

The Mutant Bomb

The (Fox) X-men franchise has just sung it’s end song, and it was a major Box office bomb. A bigger one than expected, and a pricey bomb at that with extensive reshoots to make the film “Watchable”, but in the words of Adam West “Some days you just can’t get rid of a bomb”. Of course it can’t be as simple as bad film equals bad reviews which means poor Box Office turnout, no. One Fox executive believes the X-men films where failing because “the team name isn’t progressive enough”. While. Pro Life lobbyist are claiming this is their first boycott to actual make an effect on the Box Office (similar Right Wing Boycotts where in place for Star Wars Rogue One, Last Jedi and Captain Marvel, all of which made around 1 Billion Dollars at the Box Office), due to Sophie Turners comments on Georgia’s abortion law and Disney (who recently purchased Fox, all hail the overlord mouse) refusing to work with Georgia which used to have the biggest Sound editing studio, a movie they can make owning exclusively the second (being Skywalker Sound).

So why have the X-men movies gone from beloved by Comic book fans to so unloved that the latest instalment made less than a 10th of it’s budget back in it’s opening weekend. Well the simple fact is they never got any better (the ones directed by Bryan Singer), the first one to be beloved by Comic fans only had to be better than Steel which to be liked had to be better than Batman and Robin which is often seen on worst ever lists (and Steel in my opinion is far worse because at Batman and Robin is entertaining). With a bar that low almost anything could jump over it and the X-men movies did despite their directors feelings toward the series varying from contempt to hatred, going so far as banning the comics from the set of the movie because “he didn’t want his actors drawing inspiration from them”. Singer's goals with X-men where singular, as a soapbox for him to talk about the persecution of Homosexuality, a stance that got Ian McKellan interested in playing series Antagonist Magneto, completely ignoring the idea that the X-men are all different and represent all diversity and persecution (this is why they have different powers). 

The first X-men ushered in the era of Superhero movies that where sometimes watchable, the other notable superhero film franchise of this time was Sam Raimi's Spider-man and these 2 franchises directors couldn’t be more different. Raimi is a massive fanboy of Spider-man and was a maker of cult hits like Darkman and the Evil Dead Trilogy, while Singer had before the X-men had only one hit film The Usual Suspects. 

After the first X-men movie came X-men 2 (logically) but while this film is more beloved than the first, it would cement how Singer viewed used the source material far more. X-men 2 is based on the storyline “God Loves, Man Kills” (the best single story in X-men history) but very loosely. Everything that made the original story interesting or worth telling, gone was the discussion of religious zealotry, instead the stories villain the Reverend William Striker who believed all mutants where an abomination and the devils work was made into a military colonel who hated mutants because. The movie was not devoid of christianity because added for this movie was Nightcrawler, but a one dimensional version of the character who is just Catholic guilt, not the fun loving prankster. Nightcrawler lost his “Mutie and Proud” identity, whilst the comics version declined a Holographic projector to hide his unusual appearance movie Nightcrawler actually asks Mystique “Why doesn’t she look like a normal human all the time” which is completely different to Nightcrawler’s belief that “God made me like this for a reason, who am I to question why” also gone was the most powerful moment of the story where Nightcrawler confront the religious zealot Striker and explains that “Mutants can’t be godless because he feels Gods love” and exposing Striker as a Bigot using religion as a platform for his hatred. The film also failed to show that Magneto and Striker are more a like, instead Magneto is less of an Antagonist but feels more like a victim fighting back. 

X-men 2 ended with a teasing of an Adaptation of the Phoenix saga, but Bryan Singer left the franchise to go and make a Superman movie where instead of saving people he stalks his Ex-wife. Why did Singer choose Superman over another X-men? Halle Berry asked for a bigger part in the movie. Halle Berry of course played Storm who happens to be Chris Claremont’s (writer of X-men comics for over 20 years) favourite character and his favourite in a comics franchise known for strong women. Singer wanted to focus on the men, as far as he’s concerned if you’re not Wolverine, Professor X, Magneto or Cyclops why are you there? Jean Grey was allowed screen time because she was a vehicle to get James Marsden and Hugh Jackman to take off their shirts and he has a warped view of the Phoenix saga. For those who don’t know, the Phoenix saga is a storyline which starts in Uncanny X-men 102 when Jean Grey to save the other X-men becomes host to a malevolent alien entity and tries to maintain her own personality (or lack there of). The Hellfire club seeing how powerful Jean is try and make her their puppet to control by psychically raping her and destroying everything she is from within. They succeed in this and Jean becomes a warped Dominatrix version of herself before eventually the malevolent psychic alien entity eats a sun and the X-men are put on trial for Galactic crimes, with Jean coming to her senses and using the phoenix force to destroy her body and the entity itself. Somehow Singer and others have viewed this story of rape and casual genocide as a “Coming out” story, and in Singer’s case he has a reason and it’s disturbing. Bryan Singer likes to molest 14 year old boys, this isn’t slander even if he has been acquitted of these crimes, he’s had multiple accusers and his acquittal has been based purely on “lack of evidence” like most rape cases. Bryan Singer believes the Hellfire Club are the Heroes like he is, because through rape, he has unlocked their potential or shown them who they really are.  

With Singer gone we got 2 terrible X-men movies, and despite adding fan favourites Beast and Kitty Pryde (my favourite X-man), they still failed to capture the spirit of the X-men comics that is until X-men First Class. X-men First Class is a prequel to the first X-men movie directed by Matthew Vaughn, and in it Magneto is on a killing spree to kill all the Nazi’s who mistreated him in a concentration camp while Professor X tries to convince him to let go of his hatred and to use his mutant gifts to help all of Humanity. Xavier is unsuccessful at convincing him this long term but he does convince him intervene in the Cuban missile crisis. This being a core ideal of the X-men that being yourself and working to help people is better than succumbing to hatred be you, Black, Gay, Autistic or Blue Gorilla man (not limited to those 4 groups), or to quote the Tick “Choose Love not Hate”. 

After this came The Wolverine a movie that film critics deemed boring, but they couldn’t be more wrong. This movie is introspective, it’s about dealing and learning to live with consequences, (something that X-men comics did when they where at their but post Claremont forgot about) and then Wolverine fights a man in a giant robot suit wielding a Katana. 

Of course the good times couldn’t continue, Bryan Singer returned to the franchise and decided to remove all the interesting part of one more Claremont Era storyline Days of Future Past. Singer of course changed the main character of the story from Kitty Pryde to Wolverine, thus making another character nothing more than a helper to Wolverine. But again the Antagonist has been made into a simplified caricature of his comic counterpart (odd because a comic book has less time to expand on a one shot villain than a film), instead of being a parody of Walt Disney wanting to maintain family values by creating giant robots to kill all misfits (Mutants) because a misfit is obviously a delinquent, the movie version is a short man suffering from “Napoleon complex”. The jab at Disney (then rival company they where in a blood feud with) is lost because of Singer’s lack of care, not to mention the film ends with lazily retconning everything to the second scene of X-men 3 before Jean murdered everyone, no consequences for anything Wolverine.

The films after that weren’t all losers in fact the ones not directing by Bryan Singer are good, Deadpool although detached from main continuity is a fourth wall break of bad-taste jokes. Not to mention the never afraid to be weird TV show produced by Fox Legion, which acts as the anti-thesis to Bryan Singer’s play it safe and make it bland ideas of super heroics, even introducing concepts from the comics like Astral duelling which are visual stunning and weird. But the real nail in Singer’s X-Coffin is Logan, a movie so good in a genre hated by the academy it got an adapted screenplay Oscar nomination (normally superhero movies only get nominations for technical awards). But Logan gives a finality to the 2 out of 3 characters who audiences actually liked from the early films in the franchise, which causes the feeling of why bother following that, and the answer really is there isn’t nothing can. Wolverine finally found closure and nobody really liked X-men Apocalypse so why follow it up other than so Singer can cut anyones part if they beat him in X-men trivia (see Olivia Munn explaining why Psylocke’s costume is purple).