Fixing the Stan Lee Girls

Fixing the Stan Lee Girls

Comics from the 1960’s weren’t enlightened on their portrayal of women. It’s just a fact, no two ways about it. Sure it was a genre aimed at young boys written and drawn almost exclusively by men, but under a modern lens the early Marvel comics don’t hold up very well in this regard. To quote Professor Marsden when asked to weaken Wonder Woman (his creation) “How are young boys to grow up to respect women if we don’t show them examples of strong women”. Now the Stan Lee girl is a variant on how women (who weren’t Wonder Woman) where written in this era. The Stan Lee girl is young glamorous and has all the personality of day old dish water but is also very important to the male protagonist(s) of the Superhero book. Not all characters that fit this mould are Stan Lee creations, like Saturn Girl from the Legion of Superheroes or Elasti-Girl from the Doom Patrol, but Stan and his tendency to put his name on every book produced by Marvel (even if he had nothing to do with it) makes him synonymous with the trope.

Now that’s explained why not continue reading this as I explain how 4 of Stan’s creations became well actual characters not just “oh gosh isn’t she pretty”. I will not explore every female character that has a Stan Lee creator credit or I’d be writing a 200 part piece on the subject and Black Widow has been omitted because she wasn’t actually created by Stan and in no way fits the profile being first introduced as Iron Man’s Archenemy and not his love interest.

Sue Storm

The first woman of Marvel Comics (assuming the Fantastic Four haven’t lost their status as the First Family) and master of running away. Sue in the early comics is really good at getting kidnapped, especially by Doctor Doom or Namor. She brings antagonists to the Fantastic Four, while Doctor Doom uses her as bait for the other 3 members of the team out of convenience, Namor is to be the other rival to her husband Reed Richards. Prince Namor tries to lure her to be his queen, always unsuccessfully, because for her to be actually tempted to turn evil would imply some form of personality. Susan is actually so notoriously useless that in a weird Meta issue (Fantastic Four 11) the F4 read letters sent to them by “Fans” and Sue bursts into tears because all the letters get call her useless. This of course outrages Mr Fantastic who invokes the name of Abraham Lincoln to defend his future wife. 

Fantastic Four 22 is when the attempts to make Sue better started, before this issue Sue could only turn invisible and hide, this issue gave her the comics code classic Telekinesis. Telekinesis is one of the girliest superpowers in comics (not that it’s effeminate but it’s mostly held by female characters) because it can easily adhere to Comics Code Authority guidelines about violence between men and women. The female hero using Telekinesis can fight back without actually hitting the super villain or henchman and with this at least Sue could fight back and didn’t need her sign saying “kidnap me” as much anymore, although Dr Doom might still do that because “expediency often outweighs originality”. 

Sue’s next biggest developments were marriage and motherhood. Side note it’s officially canon that their son Franklin was conceived after the first time the F4 saved the earth from Galactus which makes me ask the question after the earth was safe did Mr Fantastic give The Thing and The Human Torch some of their pocket money to go the cinema. But the change from teams eye-candy and damsel in distress to motherhood really suited Sue as she pretty much filled that role in the team anyway. The Fantastic Four are a squabbling family who often fall out and Sue is the under appreciated peace-keeper and emotional support for the boys. With Franklin added well she just has another child to look after but this one shouldn’t know better than to be an immature show-boater, I’m looking at you Johnny Storm. 

Sue’s last real moment of characters development comes from Fantastic Four 280, where the villainous Psycho-man (kind of an obvious villain name), turns Sue into Malice; Mistress of Hate. Now with a name like that she’s obviously an enemy to the rest of the Fantastic Four who she proceeds to beat the snot out of (once and for all proving she is actually the strongest member) which to many fanboys is the most important thing. But this has to end abruptly by Mr Fantastic realising its Sue and declaring “Susan stop acting hystericaly” which somehow (plot contrivance) snaps her back into her old self.

The Wasp (Janet Van Dine)

Unlike most female characters from silver-age Marvel, Jan started with some semblance of a personality. She was the plucky rich girl who was Hank Pym’s fan-girl and really wanted to join him on his scientific adventures. Jan seemingly relegated to the sidekick role by the virtue of being a female character even if Ant-man was dependent on her because she paid for all of his scientific equipment. But I’m ignoring the elephant in the room, their relationship is just the fucking worst. Panel to panel all these 2 do as a couple is squabble, Stan Lee once while tried to decipher why Ant-man was never a colossal hit like The Hulk or Spider-man. Now I’m going to go out on a limb and say young boys reading their superhero comics for a little escapism from their parents arguing don’t want to read about the male hero in the comic declare “Get in the kitchen” and his girlfriend/sidekick say “no I bought the kitchen you go in it”.

The lack of popularity lead to the cancellation of all Ant-man books and the duo became stalwarts of The Avengers where they kept trying to rebrand Ant-man because “he has a silly name” so he took on names like Black Goliath (despite being neither African American or wearing Black) Giant-man and finally after a mental breakdown Yellowjacket. Dr Pym became the joke of the team and his team mates often made fun of his mental instability and the fact that Jan was better at superheroing than him. In a last ditch effort to stay on the worst Superhero team of all time (1970’s Avengers are just terrible) Dr Pym created a fake Ultron attack that would prove his worth. This is when the infamous slap panel comes from (the slap is actually an artistic flub and was intended that he pushed her out of the way). After this incident Hank and Jan divorced (despite the fact they never should’ve gotten married in the first place), and also Jan became the leader of the Avengers and while she occasionally stumbled with her confidence she lead the team admirably even if she did keep changing costume every other issue because she was a “fashionista”.  

Scarlet Witch

First appearing in the Brotherhood of Evil Mutants, Wanda was manipulated by Magneto’s magnetic personality (not a joke actual reason), into joining his terrorist organisation. This is a strange trend that still exists with female villains, Marvel did it with Medusa when she had amnesia and joined the Frightful Four and DC currently have the Cheetah (Wonder Woman’s Archenemy) being manipulated into crimes by Lex Luthor. Comic writers have this strange idea that women can’t be mastermind villains, they have to be arm candy to the big bad, female villains are still rare even when they’re not arm candy, Batman’s Poison Ivy is often portrayed as more of an Anti-hero than a true terrorist or Catwoman as a criminal with a heart of gold. 

Scarlet Witch and her brother Pietro (aka Quicksilver) where rescued from their life of crime by Captain America who had them enter his new team (the second ever line up of Avengers) nicknamed Cap’s Crazy Quartet with the fourth member being former Iron Man villain Hawkeye. As time went on Wanda stopped spending so much time telling her brother “the whole world doesn’t hate you” despite the fact he is a complete and total jerk. Avengers and the few X-men comics she appeared in focused more on her bizarre back story and this is truly a sign of gender equality because most of the male Superhero characters don’t have much in the way of personality traits but they have extensive adventures.

Wanda’s history includes being raised by a mutated Cow named Bova (with her brother), previously mentioned manipulations by Magneto, training under Agatha Harkness in witchcraft, marrying a robot, being unable to have children with a robot, magicking up her own babies (that turned out to be demons), blowing up Avenger’s mansion, rewriting all of reality, travelling back in time and being persecuted for witchcraft, getting engaged to Doctor Doom and a search to find out who her father is. With all that, it’s not surprising that she hasn’t developed a personality, with that much back story you try having some hobbies.

Gwen Stacy

How did modern Marvel fix Gwen Stacy? They created a whole new character of course. Gwen’s initial storyline was a love triangle with Peter Parker (secretly Spider-man) and Mary Jane. Mary Jane was the more fun of the two girls, she was a party girl, she was the hip cool one who talked in Jazz lingo while being completely oblivious to the fact her name was a slang term for Cannabis (but what do you expect this was a funhouse mirror look at youth culture written by a middle-aged man to an audience of 13 year olds). Gwen was a more quiet studious girl whose ideal evening was curled up on the sofa with a good book and drinking hot coco. Marvel’s writers wanted to end the love triangle but they couldn’t have the notoriously indecisive Peter pick between one of them, so the next logical choice was made to have her be dropped off a bridge by the Green Goblin.

Gwen was now treated as a what if to Marvel writers, whenever Peter was too down on his luck or fighting with Mary Jane something might happen to bring Gwen back. Most notably her Biology teacher cloning her in an attempt to get revenge on Spider-man (yes it is as confusing as it sounds).

In the 21st Gwen was made cool, the drummer in an all girl punk rock band, with a cool new costume. The Spider-Gwen comics actually make you realise something about Spider-man comics which is we only care about Peter Parker because he is Spider-man.

Sabrina the Comic Code Approved Satanic mistress

Worried that Comic books are a bad influence on your children? what you need is the Comics Code Authority, a bunch of faceless pencil pushers to enforce a strict code of rules that must be obeyed under any context. This includes banning of all things occult, to the degree that writer Marv Wolfman couldn’t be hired by DC because his last name is the same as a Universal monster.

The Comic Code Authority was more interested in enforcing the word of the “Code” than actually the spirit of it. And if you’ve made it this far and have no idea what the Comics Code Authority was, let me explain. After World War 2 the sales of Superhero books declined and in their place new comic genres became popular, genres like Horror, Real Crime, Romance and Westerns. But Comic books where thought of as a “Kids medium” and some of those genre’s are less family friendly than the adventures of Superman. With absolutely no censorship or age restrictions, kids where reading comics with any level of sex and or violence in them. Parents where livid and The Reverend Fredric Wertham answered their call and wrote the book “The Seduction of the Innocent”. With Comic book writers and artists as pariahs they came to the solution that they would create a self regulating body that would deal with this, the strictness of their rules put parents minds at rest because now Comics didn’t have words like “Horror” or “Fear” in the title and the undead didn’t grace the covers or interiors of their children’s funny books. The code actually had no power other than just being a symbol on the front of comic covers, it was entirely enforced by Elementary school teachers and store owners only complied with the ban out of fear that the school principal and a hoard of angry mothers protesting outside their premises. 

The code slowly eroded and Marvel became the badboys of the Comic industry flaunting their rules any chance they got and working around them as subtly as they could. I really hope you now have a mental image of Stan Lee hanging by the Bike racks wearing a Leather Jacket and smoking a cigarette. Marvel started their post Comic code authority days chasing after every fad, Romance comics, War Comics, Westerns all to keep the lights on. But the fad that changed things for them was Science fiction comics, which naturally lead to Jack Kirby drawing monsters. The popularity of Science Fiction comics lead their storied rival of DC to reinvent the Superhero starting with the new Flash, then Green Lantern, then to The Justice League of America. The popularity of the last one lead to Timely (that in a few months would become Marvel) to order Stan Lee and Jack Kirby to create a new Superhero team. A team of explorers who get exposed to the nations biggest fear radiation and ended being mutated permanently and one even into a literal monster. Marvel’s biggest hits of this era all of Sci-Fi Horror roots, as mentioned the F4 a team of explorers who fight monsters and fight an evil Warlock who dresses as Death, The Hulk who shares many similarities with Jekyl and Hyde and a Spider-man (who they almost got sued by a manufacturer of Halloween costumes for plagiarism). 

That’s all well and good but what of Sabrina? While Marvel Comics where working on eroding the system from within, Archie where more complicit with the code. Having experimented and failed earlier with new Superheroes (after the days of Comic’s being used as scapegoats). Archie found success with a series of B-Stories with a protagonist named after the company, Archie where anything but subversive. They portrayed the everyday adventures of a teenage boy who can’t decide who his “best gal” is while his best friend just wants to eat a lot of Hamburgers. Archie Comics image was so squeaky clean they got green-lit for a cartoon series about their band after the PTA had found a new folk devil in Saturday Morning cartoons, Cartoons that included a very faithful adaptation of Stan Lee and Jack Kirby’s Fantastic Four comics made by Hanna-Barbera. 

But hiding within this wholesome slice of Americana was a Witch! A teenage witch who enjoyed Milkshakes. Debuting in Archie’s Mad House, a PG version of Mad Magazine (not a Horror Comic). Sabrina a debuted as a troublemaker, The Archie universes answer to Dennis the Menace, spiking drinks with Love Potion number 9. The character was envisioned by George Gladir and Dan DeCarlo as a one shot strip, but fans of Archie wanted more and with no backlash of her teaching children about the Occult (the original strip actually refers to Salem as her Familiar). The Choir boys managed to get away with something that the bad-lads at Marvel would’ve had to fight for. 

Sabrina continued to appear in Archie’s MadHouse until issue 74 when she would be spun off into her own ongoing book and a Filmation animated series. But in this time the character had been altered by an Archie Comics committee into a goody two shoes who only uses her magic for good. If anything she was now a High-School aged clone of Samantha from Bewitched with her own supporting cast, Salem was now her Pet cat. This was how Sabrina was until the 1990’s when changes like Salem being a former warlock where introduced. Archie’s characters where stagnant because the company often reused old scripts, believing their audience wouldn’t notice if they only used the script once every four years because the audience for comics either threw them away after reading them or would only collect them between the ages of 8 and 13. DC also did this in 60’s and the early 70’s on their B Superman books (World’s Finest, Superman’s Girlfriend Lois Lane and Superman’s Pal Jimmy Olsen). Sabrina’s Comics changed with whatever TV series they where tied to, sometimes Fummetti (an italian word for “photo comic”) or redrawings of the show packaged as a comic.

But whatever happened to the Comic’s Code Authority? Well they tried to use the power they never had and it imploded on them. Marvel where given a letter from the White House that said “This drug situation is getting pretty bad could you write a story with Spider-man warning kids about them” and Stan Lee and Gil Kane (with John Romita Sr illustrating the cover) obliged President Nixon’s stationaries request. But the CCA did not approve of this and tried to pull Amazing Spider-man 97 from stores and… nothing happened, no parents protesting, Newsstands sold the comic without their logo and the world moved on. From that day onwards Marvel published all their comics with the Comics code Authority logo on them without even sending their scripts or pages for approval. The Comic Code Authority was a corpse that only DC and Archie supported. DC obviously didn’t submit every comic but their standard ones (things that aren’t Watchmen or Vertigo) did go through processing until 2006. Where the Comic Code Authority was one retired Fourth grade teacher who was reading free copies of Archie and DC who would sometimes 9 months after the comic was published sent them a note saying “This Batman comic is too violent”.

Of course once the Comic’s Code Authority was a complete non-entity, Archie Comics where deeply uncool, being sold at Supermarkets and bought by parents in vein attempts to shut up their kids while they buy groceries. Archie needed reinvention, they needed to get with it, and stop the Superheroes from giving them wedgies and stealing their lunch money. 

Archie first dipped its toe into the water with the introduction of Kevin Keller an openly gay character, this got Archie comics good media coverage. No longer where they the butt of an unfunny joke, they where revolutionary not just being held by a Sitcom character to show what a Dork they are. The next step was simple kill Archie, which they did having him leap in front of a bullet meant for Kevin. The US media was in shock, and of course the other thing Warner Bros second comic company stole from it’s first was Reboot. Now Archie comics where more mature or self aware and subversive, Archie vs the Punisher wasn’t a one-off now he could meet the Predator or Debbie Harry or live in a Zombie Apocalypse. Sabrina also got a reboot, a new version that wasn’t inspired by her kids shows, now they could fully explore the occult. Sabrina’s first NEW Archie role was to bring the dead back to life, After life with Archie was such a success that Roberto Aguirre-Sacasa was asked to do more. So in came a new version more in line with the original, a comics Sabrina who has Harvey under love spells and argues with her Familiar. What a strange ride.

K Ben on Comics Presents: Two in One Team ups and The Bold

I’ll admit it either you get this title or you don’t, but with the impending cancellation of Scooby Doo Team up after 50 issues and the recent revival of Marvel Team up, it felt like time to write about the Team up books. 

The Team up book is easily the most underrated of all ongoing comic books. How often do you see a celebration of Marvel Two-in-One? The stories are rarely reprinted in collections and if they are, it feels more like they’ve been added to fill out the trade paperback. And with comics being written for the trade, a book thats meant to focus on one-shot stories with a different guest star on the cover each month (sometimes they would be multi-part stories but the star of the book eg. The Thing on Marvel Two-in-One would team with different heroes in each part). 

While a different hero every month makes the book harder to collect in Graphic Novel form, do you wait for Spider-man and Captain Marvel to team up 6 times before you put the trade together or do you just collect the first 6 issues and only put the two most popular character on the cover? Editorial decisions must be made. But showcasing lesser known heroes is the biggest bonus it gives to the publisher, sure an A-lister and an A-lister together should get both lots of fanboys to buy the book but you put a B-lister without their own book in there and you retain the rights to the character. Which is especially important when retaining copyright on the character DC infamously lost the rights to the name Captain Marvel, leading him to be known as Shazam on the cover until eventually everyone gave up on trying to distinguish him from Marvel’s array of Kree Warriors who used the name and just called Billy Batson’s alter ego Shazam. This system also seems more effective than having all your in-between-heroes together in one team like the Champions which was formed for this exact purpose, but didn’t make sense as it really felt like a hodgepodge of random heroes (Angel, Beast, Iceman, Black Widow, Hercules and Ghost Rider). The team never found it’s audience and ended up being a punchline for years to come despite guest-starring in Peter Parker the Spectacular Spider and Godzilla’s Marvel book. DC most blatantly used this trick in DC Comics presents 77 & 78 by teaming up Superman with a team called the Forgotten Heroes (the teams line up was Cave Carson, Immortal Man, Congorilla, Rip Hunter, Animal Man, Rick Flag, Dolphin and Dane Dorrance) to battle a team called The Forgotten Villains (Mister Poseidon, Faceless Hunter, Atom-Master, Kraklow, Ultivac and Enchantress), and yes that is the same Rick Flag and Enchantress featured in the Suicide Squad and the same Animal Man Grant Morrison would make a name for himself writing for.

The Team up book is a much more efficient way to tell if the Comic-buying public wants more of this B-lister, all they have to do is check to see how well that issue sold and if it proves sufficient demand for a new Amethyst princess of Gem-World solo series, although DC may always attribute it to being a red comic book cover (yes DC believes that Red covers sell the best, then blue and nobody buys yellow).

Now the biggest flaw of the Team up book is that sometimes the Hero feels like they don’t belong in the story, the most notable instance I can think of is Marvel Team up 41-43, where Spider-man teams up with Scarlet Witch and ends up in the Salem Witch trials, the the pair need saving by Wanda’s husband the Vision in the next issue only for all 3 to team up with Doctor Doom in the last issue. At no part in that story did it need to be Spider-man, however this does allow the other characters to shine as the audience on a Spider-man book will most likely know how cool Spidey is. This problem was not found in the 2009 Deadpool Team up which pretty much lived off Deadpool breaking the fourth wall and pointing out that his co-star was a B-lister and that they hadn’t shown up in a while. But sadly the book was cut short and not reaching it’s lofty goal of 900 issues (as the series counted backwards and ended on 883). 

I should probably mention Brave and the Bold the comic that inspired the Batman cartoon that referenced Silver-Age and Bronze Age stories and made Aquaman cool. That’ll do, but Mark Waid used the book in a more interesting way, removing Batman as the A-lister and having both members on a rotating door. Under Mark Waid the Brave and The Bold was an epic crossing the DC Universe with different heroes at different times (and sometimes different earths) being effected by the same by the same maguffin “The Book of Destiny”.