The Fantastic Four haven’t had the most well-regarded of film adaptations, have they? 3 different directors have had a go at making a film version of Marvel’s First Family (Roger Corman, Tim Story and Josh Trank respectively). So this obviously means the adventures of Mr Fantastic, the Invisible Woman, the Human Torch and the Ever-Lovin’ Blue-Eyed Thing are ‘uncinematic’ or ‘unadaptable’, right? Well, if you keep making the same obvious mistakes over and over again, then yes. I mean sure, the individual films have their own unique problems, like Roger Corman’s incredible shrinking budget and Josh Trank’s refusal to show up to work. But the same 4 (an oddly appropriate number) problems keep on happening.
The FF are Explorers, not Crimefighters
This one’s a real problem. What’s even more strange is that they acknowledge this in their origin “Exploring Space”. But then it’s dropped once they get superpowers. It’s almost as if they went just to pick them up, like a suit from the dry cleaners before a job interview. Most F4 comic book story lines revolve around them exploring somewhere new and making enemies with a tyrant or befriending a friendly king. The number of places in the Marvel Universe that was first explored or discovered by this family from New York include Attilan, Atlantis, the Blue Area of the Moon, Wakanda, Latveria, the Negative Zone, the Skrull Home World. And those are just the greatest hits.
Removing them as space adventurers robs them of what makes them so special. If theres a mugger in New York, there are at least half a dozen heroes all tripping over each over to stop them (Spider-man, Luke Cage, Daredevil, Shang-Chi, Black Cat, Venom, Jessica Jones, The Prowler and Kirby knows how many more). But the Marvel Universe has only one team of super-powered explorers.
I think this change is made because movies don’t like what is known as a Flat-Arc (wherein the hero isn’t changed by the story). But this is ridiculous because they can still evolve on an alien planet.
The Character’s are Wrong
It’s fair to say that the Fantastic Four are a product of their time. While Sue is best defined as the “World’s Greatest Super-Mom” even before having kids (I’m sorry but it’s kinda true), the other three have different personalities to their movie counterparts (even with that said Sue isn’t very Sue).
Reed Richards is the embodiment of 1950’s Rugged Manhood. He’s not just the smartest man in the world but square-jawed and emotionally distant as well. Reed in the movies is a wimpy nerd who has to bring extra lunch money so he can still get a cookie after the less nerdy nerds beat it out him. These two things are not the same at all and it’s really stereotypical.
Johnny Storm is, frankly, an immature kid in high school who likes to show off. Sue has spent half her life looking after him after their parents were killed in a car crash when Johnny was 7, partially why Sue is the “World’s Greatest Super-Mom” before she even had her own kids. Johnny in the movies has his “Rebel Without a Cause” side cranked up to 11. But all this does this is create a really shallow version of Johnny Storm, especially as all of the Fantastic Four have above average intelligence (the other three are just dwarfed by Reed Richards). Johnny is more Marty McFly (complete with short temper) than a 2nd rate James Dean.
The worst offender for the movies getting wrong is most probably Ben Grimm, the heart and soul of Marvel Comics. In the movie adaptations, he spends his time moping about lamenting that he used to be a handsome man but now he’s a giant toenail (fun fact: Ben Grimm’s rock skin is actually more similar to toenails than rock. Here’s hoping he doesn’t get athlete’s foot). While this is true of the comic counterpart to a degree, he actually gets over it pretty quickly. He’s a changed man as soon as he meet Alicia Masters. Ben Grimm is a fun-loving party animal. He loves to drink, gamble and fight. He always has a joke ready for when he punches a bad guy and he’s the Idol of Millions. He’s basically like the Marvel Universe’s Mr. T.
You’re Wrong about Doctor Doom
Doctor Doom first appeared in Fantastic Four number 5 and he was a fully formed character. He had an army of robots, a suit that made him look like the grim reaper’s stunt double, a magic castle, his own made-up kingdom of Latveria and a time machine. He forced three of the members of the F4 to get him some magic pirate treasure. And thats a million times better than what we got in any of the movies. Sure, Doom has a personal vendetta against Reed Richards but it predates him becoming Mr Fantastic. It’s not that Doom is an entitled shmuck who wanted to marry Sue. No. Doom’s hatred of Richards is much more intense and much more personal, Richards destroyed his experiment, his one chance to talk to his deceased mother, and it scarred his beautiful perfect face.
Doom is no tag-along, Doom’s power is all self made. He didn’t hitch a ride with the other four, he studied the Occult and raised his own army. And all to fulfil his destiny to complete his goals of getting revenge on Reed Richards for disfiguring him, redemption for his mothers soul (she sold it to Mephisto to protect their village from the Nazi’s) and total conquest of the world. Not to destroy it though, rather so he can rid the world of disease and poverty as everybody will be too busy worshipping his magnificence.
Doctor Doom is almost always the aggressor in his stories with the Fantastic Four, as their insistence on still existing always circumvents his plans to bring much needed order to a world gone mad. But due to his popularity (he was even Stan Lee’s favourite villain), he’s appeared as an adversary for almost every Marvel hero. He’s gone to war with Wakanda and even tried to seduce Spider-man to the ways of villainy. Doom is a complex character as well as being an over-the-top characteur of a fascist.
There are More Villains than Doctor Doom
Doctor Doom is possibly the greatest villain in all of Superhero comics. However, his back stories and motivations are more complicated than the average disposable movie villain. The method of adding him into the origin of the F4 just plain doesn’t work. It belittles him. Fortunately, the Fantastic Four have many villains. Assuming this is to fit into the MCU, Ronan the Accuser and the Skrull Empire have already been used, but they still have many more that haven’t yet been used. They include evil magician’s like Diablo and Nicolas Scratch, the communist villain the Red Ghost (who gained super powers for him and his apes by copying the F4) and Dragon-Man (often partnered with Diablo) who’s whole shtick is a bizarre lie as he is an Android and neither a Dragon or a Man. The Puppet Master, Alicia Masters step-Father, controls people with puppets he makes. The Moleman is the ruler of an underground world with loyal subjects called the Moloids. The Mad Thinker and his Awesome Android, The Frightful Four (a rival group of Scientists who make themselves an evil copy of the heroes). Annihulus and Blastaar (rival rulers of the Negative Zone who the F4 keep getting in the way of). Heck, even their original villain Namor the Submariner. With him, you can keep the whole “I love Sue, you don’t deserve her” shpeil as that’s actually his motivations.
So is it that the Fantastic Four are uncinematic? god no. The Movie versions have been plagued with problems, Roger Corman was hired to make the first one because of his extremely fast turnover in productions and Constantine films didn’t want to lose the rights to the series so they made a movie of them. Tim Story’s Fantastic Four was made for similar reasons, coupled with the popularity of the Spider-man and X-men movies they thought it could make a profit and it did and it spawned a sequel that some how managed to be worse. Tim Story also only had 1 previous directing credit for a box office flop starring Queen Latifah. Josh Trank’s Fant4stic was also made under the pressure of not wanting to lose the rights to the series. While his vision of a darker version of the F4 seemed strange it had some merits to it, like how Stan Lee’s original pitch for the series had protagonists all slowly dying from their super powers.
The most compelling argument for the Fantastic Four not fitting into a film structure is that the comics often revolve around on going plots from issue to issue. However that idea is flawed by the fact that all Marvel comics have that and well Spider-man has done pretty well on the big screen.
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